From Colonial History to Nostalgia in
He Ain't Heavy, He is My Brother

Being one of the most significant political issue in Hong Kong history - the signing of Sino-British Joint Declaration in 1984, was one of the reason that brought along with a various social phenomena after the mid 1980s. These phenomena included the redefining of Hong Kong cultural identity and the arisen of different representations of nostalgia in different cultural texts. To large extent, both the two social phenomena mentioned are the reflections of the time of Hong Kong colonial history. In these reflections, the emotional and allegorical messages can be noted in different texts, especially films as a cultural industry product. In this sense, it will be appealing to find out reasons or discourses to try to figure out the corresponding issue in the time line of colonial history. Looking back to the colonial history of Hong Kong, there were different events and ideological changes in affecting Hong Kong peoples' attitudes and feelings. By breaking down the motifs in the film texts during 1980s and 1990s, as the period of post-colonial, I hope to figure out a clearer concept of why and how HK nostalgia films are related to the colonial history. And further, how nostalgic sentiment is being presented in Hong Kong nostalgia films. To answer these questions, He Ain't Heavy, He is My Brother from Peter Chan and Lee Chi-Ngai, will be used to show the signifier for the relationship of colonial history and nostalgia films.

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